on Mar 11, 2017 in DJ & Live Performance 0 comments
May 19, 2013 This is a Traktor mapping for Ableton's PUSH. You can try it out with the.tsi file here. How to Sync Traktor Pro 2 & Ableton Live. Thedjpodcast 55,997 views. 50+ videos Play all Mix. Looking for help and support with Live or Push? Find answers to common questions, get help and ideas from other Live users, or contact Ableton support. We use our own cookies and third party cookies to ensure the proper functioning of the website, to personalize content and advertising and to analyze data traffic and user behavior based on.
If you'd like to advance your DJ sets and improvise, one creative way to do this is by playing with Traktor and Ableton Live at the same time. To open up possibilities even further, Traktor and Ableton Live Link can be sync'ed together so that multiple DJs/producers can jam and add new elements to a DJ set. Using Traktor and Ableton Live together would be an exciting new avenue for DJs and producers who create their own music. Here's a guide for synching the two programs together.
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The first step to linking the programs is to update both Traktor and Ableton Live. To update Traktor on a Mac navigate to the Applications folder and open the Service Centre. Click on the Update tab, check the box beside Traktor (you'll want to download at least Traktor 2.11, which features Ableton Link integration) and click Download. Once downloaded, click on the Install button to install the update, then restart the computer.
To use Ableton Live Link, update to the most current version of Live (currently Live 9.7.1). Live versions from 9.5 onwards will automatically update to version 9.7.1; alternatively Live 9.7.1 can be downloaded from a User Account on the Ableton website and updated manually.
In order to use Traktor and Ableton Live Link, you'll need to connect to a Wi-Fi or LAN network on the computer that's running Traktor. Native Instruments recommends connecting to the network using an Ethernet cable. If two or more computers are being used, connect the computers using a Thunderbolt cable.
To join Link, simply press the LINK button in Traktor's header. To leave the LINK session, press the LINK button to return to using Traktor as a standalone program.
Traktor and Link are synchronized by the Master Clock in Traktor. This section is displayed by clicking on the Metronome button on the left hand side in Traktor. The Master Clock in Traktor is the sync reference for each of the decks; pressing Sync (on a Deck) will synchronize the tempo to the Master Clock.
Traktor's Sync mode may need to be switched to BeatSync instead of Tempo Sync to match both programs' tempos to the Link timeline. To change this parameter in Traktor's Preferences, navigate to Traktor's Preferences, then click on Transport, Sync Mode and select BeatSync.
Tempo Sync mode can be used if you're an artist who manually adjusts the tempo of tracks, rather than using the Sync button. If a track's tempo goes out of sync, press the Sync button twice to synchronize them together.
Traktor will sometimes have challenges syncing tracks to the downbeat (the first beat of the bar) of another track. As tracks play, the Link button keeps track of four bars; new tracks that are brought into the mix should be released when the bar has reached its zero point (when the bar is empty on the far left hand side). On a similar note, once in a while the sync to Ableton Link may be out of phase from other Ableton Link computers that are connected in session. To solve this, open up Traktor's Preferences and navigate to the Controller Manager section, then click on Add In. Next, click Master Clock, then Ableton Link and finally select Reset Downbeat.
In certain performances, it may be advantageous to sync Traktor and Ableton Live together and not use Ableton Live Link. A solo DJ/producer who wants to take advantage of the creative possibilities of using both programs may find that this is the best way to work. Sync'ing the two programs together without Link requires a bit more legwork, but the old fashioned way of sync'ing the program works too. Here's how to sync the two together.
Open Traktor, then open Traktor's Preferences and navigate to MIDI Clock Preferences.
Check the box to send MIDI clock. The Sending Offset should remain at 0 ms.
Next click on Audio Setup and set the Audio Device to the sound card that will be used. (eg. Audio 10, etc). While in the Preferences, check the Output Routing section to ensure this is set up correctly.
In the Global Settings, in the Global Section, check off the box next to Show Global Section to make Traktor display this section. The controls will need to be changed in the Master Clock Section, which can be accessed once the Global Section is visible.
Navigate to the Controller Manager section of the Preferences and in the Device Setup Section create a new MIDI Device by clicking “Add” and then “Generic MIDI”. Rename this device by clicking Edit, Edit comment and change to a name of your choice. (I've named mine Traktor Clock) Set the In-Port to None and the Out-Port to Traktor Virtual Output. The MIDI Device created will be able to send MIDI clock to Ableton. If you have a lot of other MIDI devices in Traktor, you may want to check through them quickly to be sure that none of them are using the same Out-Port.
Next open up Ableton Live, and open the Preferences. Open the MIDI Sync Tab, and in the Input section, next to the Traktor Virtual Output, click on Track, Sync and Remote. Close the Preferences.
In the upper left hand corner of Ableton, click on the EXT button. This is the external sync switch. When it's activated, Live will follow the sync source that has been selected in the MIDI/Sync Preferences.
Next, open Live's Preferences again and click on the Audio section. Set the Audio Output Device to your Soundcard (mine is set to the Audio 10). Click on the Output Configuration (Output Config) and make sure outputs 1 and 2 are turned on.
Next, send MIDI clock from Traktor to Ableton by clicking on the Master Clock Section in the top left hand corner (marked by a Metronome symbol) and click the Auto button on. This means that Traktor's Master Clock will sync to the Deck that is playing. In the Send section on the right, click the blue Play button to send MIDI clock from Traktor.
Check in with Ableton and ensure that the EXT button is still on. Back in Traktor, navigate to the Master Clock section and in the Send section click on the Sync button to sync Traktor's MIDI clock to Ableton.
Both MIDI clocks may need be fine tuned to make sure they are running perfectly in sync. In Traktor's Master Clock section, turn on the Tick button. Click the Cue button (with the headphone symbol on it) on so that the tick can be heard through your sound card.
In Ableton Live, turn on Ableton's metronome by clicking on Metronome icon. Open the Preferences and then the MIDI Sync tab.
Click on the arrow next to the Input: Traktor Virtual Input so that the MIDI Clock Sync Delay is visible. Adjust the MIDI Clock Sync Delay until the two clocks are running at the same speed. Good values to try may be around -16 or -17.
Test to find out if the two metronomes are playing in sync by playing a track in Traktor and a loop in Ableton. If you've done your setup correctly, these two programs should be precisely sync'ed together.
Denoiser 64 bit vst plugin free download. In an unprecedented move from the Berlin based giant Ableton, today sees the publication of the Ableton Push 2 MIDI and Display Interface Manual.
Previously, manufacturers like Novation have gained credibility by producing Programmers Reference Documents for their controllers like the LaunchPad PRO and synths like the Circuit. The intent has been to enable the more creative/geeky elements of the marketplace to get deep into the firmware of their product and re-appropriate the usage to other programs beyond the main staples of Live and Logic. An example of this would be Gridlock from Sigabort that enables the user to create their own mappings for use in virtually any software that accepts a MIDI input.
The benefits to the manufacturer are obvious — research and development budgets only stretch so far when it comes to building compatibility for different software packages. The obvious choices are usually taken care of, but if you don’t like the way they’ve been implemented, you get given the keys to the pandoras box to open the hardware up and make it behave like a new person. Who knows… the more savvy customer may even buy a unit based on what they might be able to do with it following a little bit of effort.
So what’s the story here then? Well Ableton have for years been open to users getting inside their software, the Live API was originally published and gave birth to a community of hackers. With the release of Maxforlive marking the official starting point of enacting with Live under the hood, developers like myself started to find new ways to use old controllers. But as with all new developments, people continually asked for more. And with each subsequent release, a new element would be exposed but nothing generally that exciting.
That all changed when Push 2 landed. A new version of Simpler came with it as well, but no details of how to control the Push 2 in anything other than Live. It works as a standard MIDI Controller outside of Live (and a very damned sexy one at that), but within it the integration is second to none bringing amongst other improvements a solid sampling workflow to the DAW as demonstrated ably here by the excellent Ski Oakenfull of Point Blank.
Using MaxforLive with a control surface such as Push 2 remains to this day undocumented. It’s probably (and don’t quote me) a result of the continual development with each new beta refining or adding new features to Ableton’s flagship controller. Who in their right mind would sit down and document everything in the knowledge that in a month everything might have changed? And whilst we wait for the day that we see something published in this regard (which might signal the end of future development, so be careful what you wish for), today’s publication of the Push 2 Manual is a welcome step in the openness that Ableton are famed for.
The manual itself has been published on Github which would suggest that there could be more to come and its purpose is best summed up by the Ableton development team themselves…
The most common way to use Push 2 is with Ableton Live. When Live sees the device, it automatically starts the “Push 2 script”, which provides all the well-known functions of Push 2. Some users don’t want to limit their use of Push 2 to these standard functions, though. They want to develop their own extensions or applications. These communicate with the Push 2 device either from within Live (for example, from Max for Live) or from external applications, which either run in parallel to Live or standalone.
This document is intended to give the necessary information into the hands of technically skilled people who want to build such customized applications. The described interfaces allow to control the Push 2 LEDs and the display as well as to receive events from the controls like buttons, pads, encoders etc. Also, commands suitable to modify the default settings of the device are documented, for example to set color table entries, pad curves etc.
Some parts of the interface are not intended for public use and are therefore not documented. This mainly concerns things that could damage the device, like hacked firmware updates, or that could destroy calibration data gathered by measurements in the factory and saved in the Push 2 flash memory. There are some diagnostic features which are not documented, because they might be changed by Ableton whenever needed, are not tested as thoroughly as the documented functions and usually put an extra burden on the device that could compromise some of the regular functions. Please, don’t try to program the Push 2 MIDI interface yourself if you can’t make sure that undocumented or reserved commands and arguments are avoided.
Being able to control the LEDs is one of the first things to learn, but the publication of how to interact with that gorgeous screen is going to see people come up with some superb advancements for this controller like having your Session View represented on it or even watching films on it (in severe letterbox view with the sound off of course). I’m sure someone is going to come up with a Launchpad-like Light show equivalent for it pretty soon!
This probably isn’t for everyone, but it is a very welcome step that I wish all manufacturers would take when releasing gear. No singular R&D department can exhaust every use case, so why not make it easy for the community to come up with the rest?
So now the doors been pushed open (I see what you did there… Ed), what would you want to do with this controller? Is it suited for Traktor, or are you going to come up with a Serato DJ Mapping to die for?